A superb translation... alerts us to the strangeness of Kafka's world - often funnier or happier than we give it credit for - without using the word "Kafkaesque", which should be retired as it now means little more than "frustratingly bureaucratic". Kafka's world is richer, and more rewarding than that. (Nick Lezard Guardian)Kafka's posthumously published short fiction cry out for a critical exegesis... newly translated by Michael Hofmann, the stories collected in The Burrow mingle dark comedy with a proto-surrealist intent to unsettle...excellent new translations (Ian Thomson New Statesman)Hofmann, with his taste for mischief, makes Kafka, often translated in a buttoned-up key, a writer capable of blending old-fashioned literary parlance and contemporary media-speak... the modern touches also emphasise the timelessness of Kafka's themes, the horror of institutions being just one of them. (Anna Aslanyan Financial Times)

After Franz Kafka's death, in perhaps the most important of all acts of literary disobedience, his executor refused to agree to Kafka's wish that his great mass of unpublished fiction be destroyed. This fiction included not only The Castle and The Trial but also the amazingly varied, chilling and ingenious short works collected in The Burrow and Other Stories. These tales, some little more than a page, others much more substantial, are among the greatest works of Central European literature. They vary from the tiny and horrifying 'Little Fable' to the elaborate waking nightmares of 'Building the Great Wall of China' and the title story 'The Burrow', in which an unidentified creature describes its creation of an endlessly elaborate burrow to protect itself from unidentified enemies, but with every trap or tunnel only creating further terrors and uncertainty.