Using diverse sources ranging from hagiographies and historiographies to historical novels and satirical poems, this is the first book-length examination of Emmanouil Roidis’ Pope Joan (1866). Providing a long-overdue and authoritative introduction to the sinuous poetics of one of the most celebrated Modern Greek novels, Roidis and the Borrowed Muse takes in a broad gamut of British writers, from Swift, Sterne and Gibbon to Scott, Macaulay and Byron, and casts a fresh and original eye on the intertextual connections between their work and Roidis’ magnum opus. This comprehensive comparative study will appeal not only to intellectual historians, literary critics and students, but also to scholars of Romanticism and readers interested in the many facets of satire.